August 19, 2020

Martha's Vineyard Times

"Winter Street makes its debut, showcasing contemporary art"

by Gwyn McAllister

View on Martha's Vineyard Times

A unique sort of gallery made its debut in Edgartown last month, and it’s already created a good deal of buzz on the Island. The pop-up Winter Street Gallery is dedicated to showcasing contemporary art — both by internationally recognized artists (some deceased) and rising stars of the art world.

“I think there’s an appetite here for what we’re doing,” says co-owner George Newall, a NYC transplant with extensive gallery experience. “There’s something novel about the idea of showing cutting-edge and important 20th century works to the Island audience.”

Newall and his partner Ingrid Lundgren relocated temporarily to the Island at the beginning of the pandemic; both have worked in the international art world for many years. The pandemic forced them to look at their respective careers in a new light.

“We found ourselves living on Martha’s Vineyard in March,” says Newall. “By the second or third month, we were itchy for a project. For us it’s been a huge silver lining to the whole situation. More than anything we’ve sort of shattered our preconceptions of how we live and work. After living in New York for close to a decade and working in galleries and auction houses, we’ve found a different kind of exciting energy here.”

Currently the new gallery is exhibiting two distinct shows. “Secret Storm” features work by eight artists of renown, including Philip Guston and David Byrd. As described on the gallery’s website, “The show encompasses artworks of a personal nature, oftentimes evocative or highly individualized experiences.” Newall describes some of the work (which includes paintings, drawings, photography, and mixed media) as diaristic in nature. “The starting point of the exhibition was thinking about works of a personal nature,” he says. “These are pieces that speak to an individualized experience or an unusual perspective on the world. Some have a supernatural or cosmic element to them. I tried to think of artists who I have followed who fit inside this concept.”

Newall, who has built many connections throughout his career, curated the show. “I was lucky to have garnered the support of the participating artists, and I was fortunate to have connections with galleries, foundations, and estates to have access to these pieces. Many of the galleries we’re collaborating with are New York–based. Some are in the U.K., others in L.A. I’ve also been working with a gallery in Paris. The reach is fairly international.”

The other exhibit, “Vol. I,” includes work by young artists, a handful of whom are Vineyarders. As described on the website, “Vol. I is an inclusive submission-based exhibition, and is accompanied by a rotating selection of works viewable in person.” All of the work is featured on the gallery’s website, while a few at a time will be on view at the gallery.

“A lot of the artists are locally based,” says Lundgren. “The Island has been incredibly good to me. This has been an opportunity for us to engage with the artists on the Vineyard.” The co-owners are also giving preference to local collectors interested in purchasing some of the most desirable pieces by hot young artists from all over the country.

Among the work by local artists in the “Vol. I” show are black-and-white photographs by Libby Ellis, photographs by Ray Ewing, decorative ceramics by Gordon Moore, and colorful glass bead mosaics by Nate Luce.

Furthering the local connection, the gallerists are splitting almost all of the proceeds from the works from “Vol. I” between the artists and local nonprofits. “We wanted to engage more by giving back to the community,” says Lundgren, who has a strong connection to the Island. Her mother is a full-time, year-round resident, her father is a seasonal resident, and she has been coming to the Vineyard since her childhood.

After years of involvement in the international art world and living in New York, the couple are finding Island life very rewarding. “We both have been working at major New York galleries where the business model involves constant travel,” says Newall. “It’s defined our working life. We discovered, as the world kind of ground to a halt, that there were these amazing things to be found right at our doorstep. We decided that this was the right moment to try to embrace that.”

As for what the two art professionals plan to do once their one-year lease is up, Newall says, “I think the mantra is, as long as there’s an audience for what we’re doing, we’ll continue. Based on the response to the two exhibitions that we’ve done so far, we’ve really been overwhelmed by the local response and through our international network.”

©Vicente Muñoz

Ray Ewing for the Vineyard Gazette

July 10, 2020

Vineyard Gazette

"Summer Debut for Winter Street Gallery"

by Louisa Hufstader

View on the Vineyard Gazette 

A new gallery in Edgartown is opening a window on the contemporary New York and Los Angeles art scenes, showing recent work by emerging artists and one established contemporary leader.

“I put together a lot of artists that I admire,” said curator Ingrid Lundgren, who opened the Winter Street Gallery with her partner George Newall earlier this month. “Some of them were cold DMs (direct messages) on Instagram.”

With the exception of Neo-Conceptualist Peter Halley, known since the 1980s for his multi-hued grids evoking themes of incarceration, the artists she selected are still building their careers.

Among the fresh takes Ms. Lundgren is introducing to Island art audiences are ceramic sculptor and painter Scott Reeder, photographer Angal Field and Cynthia Talmadge’s hand-dyed sand on panel work.

For one of the show’s most compelling pieces, LaKela Brown’s used door-knocker earrings to impress their shapes on a plaster tablet with touches of gold acrylic. The resulting work, one of the first in the gallery to sell, pulls together the energy of contemporary hip-hop culture with the timelessness of an Egyptian antiquity.

“There’s something archaeological about it,” Ms. Lundgren said.

Like the artists in her show, Ms. Lundgren is developing her own career as well. A longtime seasonal Katama resident, she worked in a New York city gallery until the coronavirus shutdown began in March. Mr. Newall also comes from a New York gallery background, she said.

The Winter Street Gallery is the couple’s first enterprise, and marks Ms. Lundgren’s debut as a curator.

“This has been an amazing opportunity to experiment with an independent curatorial project,” she said.

She arrived at the concept for the current show, titled A group of more or less than 10, while filing for unemployment this spring. The experience made her reflect on how numerical systems and other repetitive sequences influence the way we live, Ms. Lundgren said.

But the exhibition itself is far from programmatic. While systemic symbols appear in some of the works, the effect is never forced. For example, the alphabet letters in Brook Hsu’s painted rug, titled the Law of Names, seem to emerge and then recede into an infinity of greens—not unlike the way sonic motifs follow one another in the interwoven patterns of minimalist music.
“It’s another instance of sequencing,” Ms. Lundgren said.

Ms. Lundgren plans to follow the current show, which is up through August 2, with an exhibition of work by Island artists, to be titled Vol. 1. The gallery will retain a nominal 10 per cent of proceeds from the upcoming group show, with the remainder going to the artists and local causes, she said.

Winter Street Gallery intensifies a two-block gallery scene that includes the North Water and Eisenhauer galleries that face one another on North Water street. For traditional art and a collection of historical maps and nautical charts, the two-story Christina Gallery just across Winter street is the neighborhood’s grande dame.

The new gallery is open from noon to 5 p.m. Wednesday through Sunday and by appointment. The website is


22 Winter Street 

Edgartown, MA 02539